"Mouton: Missa Dictes Moy Toutes Voz Pensées - 13. Osanna 2" by The Tallis Scholars, Peter Phillips was released on September 30, 2012. With Mouton: Missa Dictes Moy Toutes Voz Pensées - 13. Osanna 2 being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Tallis Scholars, Peter Phillips's "Jean Mouton - Missa Dictes Moy Toutes Voz Pensées - Nesciens Mater" album is number 14 out of 31. On top of that, United Kingdom appears to be the country where this track was created. Mouton: Missa Dictes Moy Toutes Voz Pensées - 13. Osanna 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mouton: Missa Dictes Moy Toutes Voz Pensées - 13. Osanna 2 by The Tallis Scholars, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Sheppard: Media vita - 3. Nunc dimittis | John Sheppard, Peter Phillips, The Tallis Scholars | F♯ Major | 0 | 2B | 124 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Tallis: Hear the voice and prayer - 2. That thine eyes may be open | Thomas Tallis, The Tallis Scholars, Peter Phillips | F♯ Minor | 1 | 11A | 88 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM |