"Tallis: Hear the voice and prayer - 2. That thine eyes may be open" by Thomas Tallis, The Tallis Scholars, Peter Phillips was released on April 1, 1986. With Tallis: Hear the voice and prayer - 2. That thine eyes may be open being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "Thomas Tallis - The Complete English Anthems". In this album, this song's track order is #3. Tallis: Hear the voice and prayer - 2. That thine eyes may be open is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Hear the voice and prayer - 2. That thine eyes may be open by Thomas Tallis, The Tallis Scholars, Peter Phillips having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
Palestrina: Missa Papae Marcelli - 13. Agnus Dei 1 | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B Major | 1 | 1B | 86 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM | ||
Quoniam Tu Illminans | The Schola Cantorum of St. Peter's in the Loop | C Major | 0 | 8B | 80 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
3 Carol-Anthems: No. 1, Here Is the Little Door | Herbert Howells, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | ||
Tallis: Sancte Deus - 2. Sancte Et Immortalis | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 134 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Ave Verum | Sexteto Cantábile | G Minor | 1 | 6A | 77 BPM |