"Monte Carmelo: "Dúo de Manrique y Juan María"" by Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Luis Sagi Vela, Alfredo Muelas, Gran Orquest Sinfónica del Teatro Calderón de Madrid had its release date on May 15, 1999. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Various Artists, Gran Orquest Sinfónica del Teatro Calderón de Madrid's "Monte Carmelo" album is number 8 out of 9. On top of that, Spain appears to be the country where this track was created. Monte Carmelo: "Dúo de Manrique y Juan María" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monte Carmelo: "Dúo de Manrique y Juan María" by Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Luis Sagi Vela, Alfredo Muelas, Gran Orquest Sinfónica del Teatro Calderón de Madrid to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maravilla: "Millonario de ilusión" | Luis Sagi Vela | B♭ Minor | 2 | 3A | 92 BPM | ||
Tercer Acte: Duet Li Dire que a una Altra Porta si Vol Provi de Tocar | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 128 BPM | ||
Doña Francisquita | Orquesta Sinfonica de Juan Alfonso | G Minor | 8 | 6A | 104 BPM | ||
No digas no | Gente Pescaito, Federico Romero | B♭ Major | 9 | 6B | 120 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
El Último Romántico: "Bella Enamorada" | Gran Orquesta Sinfonica | E Major | 1 | 12B | 91 BPM | ||
El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered | Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo | B♭ Major | 3 | 6B | 178 BPM | ||
María Manuela: "Así Como Es Ella, Deberías Ser Tú" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | C Minor | 4 | 5A | 121 BPM | ||
Norma, Act 2 Scene 3: Deh! Non volerli vittime (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Un Día de Primavera: "Raconto de Inocencio" | Antonio Medio | D Major | 2 | 10B | 87 BPM |