Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo's 'El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered' came out on March 31, 2014. The duration of El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered by Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo is Presto (very, very fast), since this song has a tempo of 178 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No digas no | Gente Pescaito, Federico Romero | B♭ Major | 9 | 6B | 120 BPM | ||
El Buhonero | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
María Santísima del Dulce Nombre - Marcha Cofrade | Real Orquesta Sinfonica De Sevilla | A♭ Minor | 2 | 1A | 91 BPM | ||
Romanza de Angelita | Montserrat Caballé | G Major | 3 | 9B | 96 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Primer Acte: Qui em Compra Vellanes | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 2 | 7B | 85 BPM | ||
Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
La Dolores | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | A Major | 3 | 11B | 112 BPM |