Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo's 'El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered' had a release date set for March 31, 2014. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 34 in El Divo by Marcos Redondo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered by Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo is Presto (very, very fast), since this song has a tempo of 178 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Canción del Vagabundo | Orquesta Sinfónica Española | F Major | 3 | 7B | 156 BPM | ||
Goizeko Izarra: Canción a 4 Voces Viriles - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi | A♭ Major | 1 | 4B | 167 BPM | ||
La del Soto del Parral: "Preludio"-"Jota"-"No Hay en Tierras de Segovia" | Reveriano Soutullo, Juan Vert, A.Carreño, I.Fdez. Sevilla, Gran Orquesta Sinfonica | D Major | 4 | 10B | 87 BPM | ||
Donde Estarán Nuestros Mozos | Orquesta Sinfónica Española | D Major | 3 | 10B | 163 BPM | ||
El Trust de los Tenorios | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | D Major | 2 | 10B | 113 BPM | ||
Luisa Fernanda, Acto ii: Mazurka de las sombrillas | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | B♭ Major | 2 | 6B | 81 BPM | ||
Festara: Canción - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi | G Major | 5 | 9B | 122 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Marcel Cordes, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | G Minor | 1 | 6A | 77 BPM | ||
La Condesa de la Aguja y el Dedal: "Una y Otra Vez Mis Sueños..." | Jesús Mª Arozamena, Adolfo Torrado, Jesús Guridi, Gran Orquesta Sinfónica del Teatro Calderón | E♭ Major | 2 | 5B | 88 BPM |