Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'María Manuela: "Así Como Es Ella, Deberías Ser Tú"' came out on December 3, 2013. The duration of María Manuela: "Así Como Es Ella, Deberías Ser Tú" is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. María Manuela: "Así Como Es Ella, Deberías Ser Tú"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #1 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, María Manuela: "Así Como Es Ella, Deberías Ser Tú"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since María Manuela: "Así Como Es Ella, Deberías Ser Tú" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With María Manuela: "Así Como Es Ella, Deberías Ser Tú" being at 121 テンポ, the half-time would be 60 テンポ with a double-time of 242 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lehár: Das Land des Lächelns, Act 2: "Ich möcht' einmal die Heimat seh'n" (Lisa) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Chi è" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Philharmonia Chorus, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
Siempre Que Te Ahogue una Pena / Tantos Desprecios Me Das - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 87 BPM | ||
Faust: Hoch, Ruhm und Ehre | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 3 | 6B | 117 BPM | ||
Partir | Federico Romero | D Major | 1 | 10B | 107 BPM | ||
La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Victoria | Federico Romero | D Major | 1 | 10B | 130 BPM | ||
Los Gavilanes: "Pescador, de tu playa te alejas" | Coro Cantores de Madrid, Manuel Ausensi | A♭ Major | 3 | 4B | 85 BPM | ||
Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM |