"the little match girl passion: we sit and cry" by David Lang, Theatre Of Voices, Paul Hillier was released on May 12, 2009. With this song being about 5 minutes long, at 4:38, "the little match girl passion: we sit and cry" by David Lang, Theatre Of Voices, Paul Hillier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in David Lang, Theatre Of Voices, Paul Hillier, Ars Nova Copenhagen's "Lang: The Little Match Girl Passion" album is number 15 out of 19. Based on our statistics, the little match girl passion: we sit and cry's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of the little match girl passion: we sit and cry by David Lang, Theatre Of Voices, Paul Hillier to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fólk fær andlit (Arr. Jarkko Riihimäki) | Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki | A Minor | 2 | 8A | 84 BPM | ||
Dank sei dir Gott | George Frideric Handel, Ernst Reijseger, Emmi Leisner | A Major | 4 | 11B | 104 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
6 Encores: No. 3 Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | ||
Gypsy Moth | Andrew Bird | D Minor | 3 | 7A | 67 BPM | ||
How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
Gene Takes a Drink | Michael Gordon, Bang On A Can All-Stars | C Minor | 5 | 5A | 98 BPM | ||
Desh: Honey Bee Story | Natacha Atlas, Jocelyn Pook, Lalon Shah, Melanie Pappenheim, Sohini Alam, Jeremy Schonfield, Tanja Tzarovska, Leesa Gazi, Labik Kamal, Sophie Harris, Dragan Aleksic, Bulgarian Orchestra | E Minor | 2 | 9A | 132 BPM | ||
The Writings: No. 6, Again (After Ecclesiastes) [changed return] | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 125 BPM |