Giuseppe Verdi, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan's 'Falstaff, Act I: Ehi! Paggio! – L'Onore! Ladri!' came out on April 26, 2024. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giuseppe Verdi, Herbert von Karajan, Antonio Vivaldi's "Karajan A-Z: Verdi - Vivaldi" album is number 177 out of 304. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Falstaff, Act I: Ehi! Paggio! – L'Onore! Ladri!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Falstaff, Act I: Ehi! Paggio! – L'Onore! Ladri! by Giuseppe Verdi, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
La traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 1 | 4A | 86 BPM | ||
Die lustige Witwe / Act I: "Also, lieber Graf.." - "Damenwahl! Hört man rufen rings im Saal!" | Franz Lehár, Cheryl Studer, Boje Skovhus, Karl Magnus Fredriksson, Uwe Peper, Barbara Bonney, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner, Wiener Tschuschenkapelle, The Monteverdi Choir | G Major | 2 | 9B | 119 BPM | ||
Gurrelieder, Pt. 1: No. 7, Nun sag ich dir zum ersten Mal (Tove) | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 62 BPM | ||
Verdi: Otello: Atto Primo: Capitano, v'attende la fazione ai baluardi | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 5 | 10B | 124 BPM | ||
Andrea Chénier / Act 2: Maddalena di Coigny! | Umberto Giordano, Leo Nucci, Montserrat Caballé, Luciano Pavarotti, Tom Krause, Giuseppe Taddei, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | G Minor | 3 | 6A | 85 BPM | ||
Andrea Chénier / Act 4: Il vostro giuramento vi sovvengo! ... Benedico il | Umberto Giordano, Montserrat Caballé, Giuseppe Morresi, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | A Major | 0 | 11B | 82 BPM | ||
Jenufa / Act 3: Odesli | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Major | 2 | 6B | 82 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Kathleen Battle, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 87 BPM | ||
Gurrelieder / Pt. 1: VIII. Waldemar: Es ist Mitternachtszeit | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 123 BPM |