Franz Lehár, Cheryl Studer, Boje Skovhus, Karl Magnus Fredriksson, Uwe Peper, Barbara Bonney, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner, Wiener Tschuschenkapelle, The Monteverdi Choir made "Die lustige Witwe / Act I: "Also, lieber Graf.." - "Damenwahl! Hört man rufen rings im Saal!"" available on January 1, 1994. Die lustige Witwe / Act I: "Also, lieber Graf.." - "Damenwahl! Hört man rufen rings im Saal!" appears to be safe for all ages as it is not explicit. The track order of this song in Franz Lehár, Cheryl Studer, Barbara Bonney, Rainer Trost, Boje Skovhus, Bryn Terfel, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir's "Lehár: Die lustige Witwe" album is number 10 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die lustige Witwe / Act I: "Also, lieber Graf.." - "Damenwahl! Hört man rufen rings im Saal!" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Die lustige Witwe / Act I: "Also, lieber Graf.." - "Damenwahl! Hört man rufen rings im Saal!" by Franz Lehár, Cheryl Studer, Boje Skovhus, Karl Magnus Fredriksson, Uwe Peper, Barbara Bonney, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner, Wiener Tschuschenkapelle, The Monteverdi Choir to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Agnus Dei | Georges Bizet, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E♭ Major | 1 | 5B | 90 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
The Merry Widow / Act 2: Duet: Such a silly soldier boy...Heija! | Franz Lehár, Joan Sutherland, Werner Krenn, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 88 BPM | ||
Lohengrin: Bridal Chorus | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | B♭ Major | 1 | 6B | 70 BPM |