On March 27, 2020, the song "Quatrième concert: III. La Rameau" was released by Jean-Philippe Rameau, Víkingur Ólafsson. The duration of Quatrième concert: III. La Rameau is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Quatrième concert: III. La Rameau's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 28 in Debussy – Rameau by Víkingur Ólafsson, Claude Debussy, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Quatrième concert: III. La Rameau is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Quatrième concert: III. La Rameau by Jean-Philippe Rameau, Víkingur Ólafsson is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág) - Grand Piano | Johann Sebastian Bach, Víkingur Ólafsson, Halla Oddný Magnúsdóttir | E♭ Major | 2 | 5B | 100 BPM | ||
6 Klavierstücke, Op. 118: No. 2, Intermezzo | Johannes Brahms, Khatia Buniatishvili | A Major | 0 | 11B | 85 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Grand Sonata in E-Flat Minor, Op. 3 No. 1: II. Adagio con giusto | George Frederick Pinto, Miceal O'Rourke | F Minor | 0 | 4A | 62 BPM | ||
Pour le piano, L. 95: 1. Prélude | Claude Debussy, Víkingur Ólafsson | C Major | 2 | 8B | 109 BPM | ||
2 Clavier-Sonaten, 2 Fantasien und 2 Rondos für Kenner und Liebhaber, Wq. 59: IV. Rondo in C Minor, H. 283 | Carl Philipp Emanuel Bach, Daniil Trifonov | A♭ Major | 1 | 4B | 98 BPM |