On August 5, 2022, the song "Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág) - Grand Piano" was released by Johann Sebastian Bach, Víkingur Ólafsson, Halla Oddný Magnúsdóttir. The duration of Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág) - Grand Piano is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág) - Grand Piano's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Víkingur Ólafsson's "J.S. Bach: Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág)" album is number 1 out of 2. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág) - Grand Piano is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Trio Sonata No. 1, BWV 525: I. (Allegro moderato) (Transcr. Kurtág) - Grand Piano by Johann Sebastian Bach, Víkingur Ólafsson, Halla Oddný Magnúsdóttir to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 2 | Dora Pejačević, Natasa Veljkovic | E Minor | 3 | 9A | 153 BPM | ||
Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: VI. Vivace In E-Flat Major | Sigismond Thalberg, Francesco Nicolosi | A Minor | 1 | 8A | 120 BPM | ||
Waltzes Op. 39: No. 1 In B Major | Víkingur Ólafsson | B Major | 2 | 1B | 100 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Grand Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
L’égyptienne | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 112 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Study in Canonic Form, Op. 56, No. 1 - Upright Piano | Robert Schumann, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Quatrième concert: II. L'indiscrète | Jean-Philippe Rameau, Víkingur Ólafsson | B♭ Major | 3 | 6B | 107 BPM |