Adam de la Halle, Obsidienne, Emmanuel Bonnardot's ' "Or est Baiars en la pasture" was released on its scheduled release date, October 9, 2020. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 34 out of 36 in Célèbre et Musica "Voyage musical" by Obsidienne, Emmanuel Bonnardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Or est Baiars en la pasture's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Or est Baiars en la pasture by Adam de la Halle, Obsidienne, Emmanuel Bonnardot is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Bansle de Lorraine | Charles Tessier, Le Poème Harmonique, Vincent Dumestre | C Minor | 3 | 5A | 93 BPM | ||
Laudate Dominum | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 69 BPM | ||
Au joly boys | Claudin de Sermisy, Into the Winds | A♭ Minor | 0 | 1A | 73 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
Miserere a 9: No. 2, Et secundum multitudinem - Amplius lava me | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) | Michael Praetorius, Early Music Consort Of London | C Major | 0 | 8B | 95 BPM |