Michael Praetorius, Early Music Consort Of London made "Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4)" available on 1974. With Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Praetorius, David Munrow's "Michael Praetorius - Dances and Motets" album is number 2 out of 15. In terms of popularity, Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dances from 'Terpsichore' (1974 Digital Remaster): Spagnoletta (XXVII a 4) by Michael Praetorius, Early Music Consort Of London to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | ||
Galliard | Anon, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | A Major | 1 | 11B | 67 BPM | ||
Con dolce brama | Magister Piero, Nigel Rogers, Martyn Hill, Early Music Consort Of London, David Munrow | B Minor | 1 | 10A | 76 BPM | ||
Suite in E Minor: I. Prelude | Robert de Visée, Yasunori Imamura | E♭ Minor | 1 | 2A | 179 BPM | ||
Fantasy For 2 Trebles And Bass (From "The Broken Consort") | Matthew Locke, John Holloway, Monika Baer, Martin Zeller | B Major | 1 | 1B | 105 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Lute Sonata in F Minor [Augsburg manuscript]: I. Affettuoso | Bernhard Joachim Hagen, Robert Barto | E Minor | 1 | 9A | 80 BPM | ||
Trios pour le coucher du roi, LWV 35: Chaconne | Jean-Baptiste Lully, Les Ordinaires, Allison Nyquist | B♭ Major | 1 | 6B | 79 BPM | ||
Rebec - La septime estampie real | 13th century, David Munrow, Early Music Consort Of London | G Major | 7 | 9B | 123 BPM |