"Suite in E Minor: I. Prelude" by Robert de Visée, Yasunori Imamura was released on January 1, 1993. With Suite in E Minor: I. Prelude being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Visee, R. De: Suites by Robert de Visée, Yasunori Imamura. The song's track number on the album is #22 out of 30 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Suite in E Minor: I. Prelude is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in E Minor: I. Prelude by Robert de Visée, Yasunori Imamura has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Suite in E Minor: I. Prelude being at 179 テンポ, the half-time would be 90 テンポ with a double-time of 358 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Tiento (Segundo Tono) | Alonso Mudarra, Hopkinson Smith | F♯ Minor | 1 | 11A | 48 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Sarabande | Edward Martin and Paul Berget | E Major | 0 | 12B | 143 BPM | ||
Sonata in G Minor, Op. 1 No. 6: II. Gigue | Giovanni Zamboni, Andreas Arend | F♯ Minor | 1 | 11A | 116 BPM | ||
Intavolatura di chitarra a cinque ordini, Book 2: Capona | Francesco Valdambrini, Pierre Pitzl | D♭ Major | 0 | 3B | 98 BPM | ||
A Sonata of Scots Tunes: II. Ettrick Banks (Adagio) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 95 BPM | ||
Gagliarda Ecco | Vincenzo Galilei, Massimo Lonardi | F Major | 2 | 7B | 107 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM | ||
Pièces pour théorbe, Suite in C Minor: III. Courante | Robert de Visée, Xavier Diaz-Latorre | G Minor | 1 | 6A | 131 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM |