Juan de Araujo, Ensemble Villancico, Peter Pontvik made "Los coflades de la estleya" available on January 1, 2000. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 20 in Baroque Music Of The Conquistadors by Juan de Araujo, Ensemble Villancico, Peter Pontvik. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Los coflades de la estleya is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Los coflades de la estleya by Juan de Araujo, Ensemble Villancico, Peter Pontvik is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O quam tu pulchra es | Alessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i Disinvolti | D Major | 0 | 10B | 101 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
All'imperio d'Amore: 6. La dipartita e amara a 4 | Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys | G Minor | 2 | 6A | 109 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Saapuu Jo Yö | Antaisin.fi, Kaisa Peni | E Minor | 1 | 9A | 175 BPM | ||
Secunda die Lectio prima: V. Defecerunt | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 107 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM | ||
Trattado de glosas: Recercada No. 4, "La gamba" | Diego Ortiz, Piffaro | E♭ Minor | 1 | 2A | 120 BPM |