"Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738" by Ignacy Jan Paderewski, Ethel Herr Litchfield, Peter Phillips was released on March 24, 2024. The duration of Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738 is about 3 minutes long, at 3:10. Based on our data, "Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 30 in Butterflies. Chopin, Liszt & Contemporaries. Piano Essentials from the Golden Age by Peter Phillips, Franz Liszt, Robert Schumann, Felix Mendelssohn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738 by Ignacy Jan Paderewski, Ethel Herr Litchfield, Peter Phillips is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresques De Concert, Op. 14: No. 6, Cracovienne Fantastique - Duo-Art S-30738 | Ignacy Jan Paderewski, Ethel Herr Litchfield, Peter Phillips | D Major | 1 | 10B | 69 BPM | ||
Piano Sonata No. 2 in G-Sharp Minor, Op. 19 "Sonata Fantasy": II. Presto | Alexander Scriabin, Mariangela Vacatello | D♭ Minor | 1 | 12A | 70 BPM | ||
ワルツ 変イ長調 作品38 | アレクサンドル・スクリャービン, Kanon Matsuda | A♭ Major | 1 | 4B | 64 BPM | ||
Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM | ||
Manru: Act I Scene 7: Brak slow - Matce wbrew, to znaczy neibiosom wbrew (Ulana, Urok) | Ignacy Jan Paderewski, Janusz Ratajczak, Wioletta Chodowicz, Barbara Krahel, Leszek Skrla, Monika Ledzion, Jacek Greszta, Lukasz Golinski, Marcin Naruszewicz, Magdalena Polkowska, Opera Nova Bygdoszcz Chorus, Krzysztof Jakowicz, Ihor Lomaha, Opera Nova Bygdoszcz Orchestra, Maciej Figas | C Minor | 2 | 5A | 107 BPM | ||
L'Isle joyeuse, L. 106 | Claude Debussy, Andhika Patrick | G Major | 0 | 9B | 71 BPM | ||
Gavotte, Op. 49, No. 3 - Duo-Art 6377 | Alexander Glazunov, Peter Phillips | G Major | 1 | 9B | 82 BPM | ||
Symphony No. 1 in D Major, Op. 25 “Classical” (Transcr. for Piano by Florian Noack): I. Allegro | Sergei Prokofiev, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Samson Et Dalila: Finale to Act I (Arr. Solo Piano by Saint-Saëns) - Welte-Mignon 797 | Camille Saint-Saëns, Peter Phillips | E♭ Major | 1 | 5B | 71 BPM | ||
Rachmaninov: Variations on a Theme of Corelli, Op. 42: Variation XV. L'istesso tempo | Sergei Rachmaninoff, John Ogdon | E♭ Minor | 0 | 2A | 77 BPM |