"Madama Butterfly (1986 - Remaster), Act II: E questo? e questo? (Sharpless/Butterfly)" by Giacomo Puccini, Renata Scotto, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. The duration of Madama Butterfly (1986 - Remaster), Act II: E questo? e questo? (Sharpless/Butterfly) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Madama Butterfly (1986 - Remaster), Act II: E questo? e questo? (Sharpless/Butterfly)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #3. In terms of popularity, Madama Butterfly (1986 - Remaster), Act II: E questo? e questo? (Sharpless/Butterfly) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1986 - Remaster), Act II: E questo? e questo? (Sharpless/Butterfly) by Giacomo Puccini, Renata Scotto, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 85 BPM | ||
Turandot / Act 1: Popolo di Pechino! (Un Mandarino, Coro) | Giacomo Puccini, Siegmund Nimsgern, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B♭ Minor | 2 | 3A | 82 BPM | ||
Lucia di Lammermoor / Act 2: "Lucia, fra poco a te verrà" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Alfine eccoci qua" (Conte, Figaro, Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F♯ Major | 1 | 2B | 109 BPM | ||
Mascagni: Cavalleria rusticana: No. 6, Romanza e Scena, "Voi lo sapete, o mamma" (Santuzza, Lucia) | Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra | E Major | 1 | 12B | 80 BPM | ||
La Gioconda / Act 2: Cielo e mar! | Amilcare Ponchielli, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 2 | 5B | 175 BPM | ||
Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
Rossini: Il barbiere di Siviglia, Act 3: Arietta. "Quando mi sei vicina" (Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 80 BPM | ||
Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo" | Arrigo Boito, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 86 BPM |