"Dixit Dominum in G: III. Juravit Dominus" by Niccolò Jommelli, Haydn Baroque Chamber Orchestra, Tiziano Morelli Gidoni, Baltimore Baroque Choir, Maria Elena Borracini, Emelie Danielsshon had its release date on November 9, 2017. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Niccolò Jommelli, Haydn Baroque Chamber Orchestra, Tiziano Morelli Gidoni, Baltimore Baroque Choir's "Jommelli: Dixit Dominus in G" album is number 3 out of 7. Dixit Dominum in G: III. Juravit Dominus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dixit Dominum in G: III. Juravit Dominus by Niccolò Jommelli, Haydn Baroque Chamber Orchestra, Tiziano Morelli Gidoni, Baltimore Baroque Choir, Maria Elena Borracini, Emelie Danielsshon to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Ingemisco | Giovanni Legrenzi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Major | 0 | 9B | 105 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Sinfonia a 2 violine e basso: III. Largo | Niccolò Jommelli, Nereydas, Javier Ulises Illán | E Major | 0 | 12B | 115 BPM | ||
Requiem in E-Flat Major: Kyrie (Soloists, Chorus) | Niccolò Jommelli, Elena Cioric, Beata Ganzel, Antonio De Lucía, Viorel Kojocaru, Coro dell'Accademia Nazionale Moldava, Orchestra Sinfonica Moldava, Silvano Frontalini | E♭ Major | 2 | 5B | 107 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM | ||
Miserere in G Minor, HocJ C1.23: XVIII. Benigne fac Domine | Niccolò Jommelli, Il Gardellino, Miriam Feuersinger, Gaia Petrone, Peter Van Heyghen | F♯ Minor | 0 | 11A | 133 BPM | ||
Sinfonia a 2 violine e basso: IV. Allegro | Niccolò Jommelli, Nereydas, Javier Ulises Illán | D♭ Minor | 1 | 12A | 151 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 1, Mein Herze schwimmt im Blut | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | A Major | 1 | 11B | 87 BPM |