"Requiem in E-Flat Major: Kyrie (Soloists, Chorus)" by Niccolò Jommelli, Elena Cioric, Beata Ganzel, Antonio De Lucía, Viorel Kojocaru, Coro dell'Accademia Nazionale Moldava, Orchestra Sinfonica Moldava, Silvano Frontalini had its release date on September 1, 2014. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Niccolò Jommelli, Silvano Frontalini's "Jommelli: Requiem" album is number 2 out of 23. In terms of popularity, Requiem in E-Flat Major: Kyrie (Soloists, Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in E-Flat Major: Kyrie (Soloists, Chorus) by Niccolò Jommelli, Elena Cioric, Beata Ganzel, Antonio De Lucía, Viorel Kojocaru, Coro dell'Accademia Nazionale Moldava, Orchestra Sinfonica Moldava, Silvano Frontalini to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in F Minor, G. 532: III. Quae moerebat et dolebat. Allegretto con moto | Luigi Boccherini, Núria Rial, Orchester Le Phenix | A Minor | 1 | 8A | 65 BPM | ||
Marc'Antonio e Cleopatra: Aria "Morte col fiero aspetto" | Johann Adolf Hasse, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | F♯ Minor | 2 | 11A | 125 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Gloria in D Major, RV 589: IX. Qui tollis | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus | E Minor | 2 | 9A | 128 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
La Critica, Scena VI: Duetto "Che nobiltà d’affetto" - Live at Schlosstheater Ludwigsburg, 11/20/2016 | Niccolò Jommelli, Gaetano Martinelli, Concerto Stella Matutina, Thomas Platzgummer, Paolo Lopez, Matteo Pigato | D Minor | 10 | 7A | 88 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM |