"Peter Grimes Op. 33, ACT 1 Scene 2: Past time to close! (Auntie/Mrs Sedley/Balstrode/Boles/Nieces/Fisherman)" by Benjamin Britten, Thomas Allen, Patricia Payne, Maria Bovino, Gillian Webster, Stuart Kale, Sarah Walker, Bernard Haitink, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden had its release date on 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. In terms of popularity, Peter Grimes Op. 33, ACT 1 Scene 2: Past time to close! (Auntie/Mrs Sedley/Balstrode/Boles/Nieces/Fisherman) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peter Grimes Op. 33, ACT 1 Scene 2: Past time to close! (Auntie/Mrs Sedley/Balstrode/Boles/Nieces/Fisherman) by Benjamin Britten, Thomas Allen, Patricia Payne, Maria Bovino, Gillian Webster, Stuart Kale, Sarah Walker, Bernard Haitink, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffrey | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | D♭ Major | 3 | 3B | 124 BPM | ||
2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 76 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM |