Paul Creston, Joseph Lulloff, Deborah Moriarty's 'Sonata for Alto Saxophone and Piano, Op. 19: I. With Vigor' came out on January 28, 2021. With this song being about 5 minutes long, at 4:42, "Sonata for Alto Saxophone and Piano, Op. 19: I. With Vigor" by Paul Creston, Joseph Lulloff, Deborah Moriarty is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 3 in the song's album "Paul Creston: Saxophone Sonata, Op. 19". In this album, this song's track order is #1. Based on our statistics, Sonata for Alto Saxophone and Piano, Op. 19: I. With Vigor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonata for Alto Saxophone and Piano, Op. 19: I. With Vigor by Paul Creston, Joseph Lulloff, Deborah Moriarty having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM | ||
Montgomery Variations: VI. Lament | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | C Major | 4 | 8B | 144 BPM | ||
Testamentti pojalleni | SRK Instrumentaali, Virve Ruokokoski, Kristiina Puolitaival | G Major | 0 | 9B | 61 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Partita, Op. 12: IV. Air | Paul Creston, Scott Goff, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 51 BPM | ||
Mvt. 2. Meditative, Creston Concerto for Alto Saxophone and Band | Paul Creston, Otis Murphy, Stephen Pratt | A♭ Minor | 0 | 1A | 178 BPM | ||
Sonata For Flute & Piano In C Major: Allegro cantabile | Otar Taktakishvili, Eva Kupiec, Marina Piccinini | C Major | 1 | 8B | 102 BPM | ||
Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM |