John Blow, Arcangelo, Jonathan Cohen, Samuel Boden, Thomas Walker, William Gaunt's ' "Dread Sir, the Prince of Light: II. Dread Sir, the Prince of Light Begins to Rise –" was released on its scheduled release date, September 29, 2017. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 29 in Blow: An Ode on the Death of Mr Henry Purcell & Other Works by John Blow, Arcangelo, Jonathan Cohen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dread Sir, the Prince of Light: II. Dread Sir, the Prince of Light Begins to Rise – is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Dread Sir, the Prince of Light: II. Dread Sir, the Prince of Light Begins to Rise – by John Blow, Arcangelo, Jonathan Cohen, Samuel Boden, Thomas Walker, William Gaunt is Larghetto (rather broadly), since this song has a tempo of 61 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mein Herze schwimmt im Blut, BWV 199: No. 3, Doch Gott muss mir genädig sein | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | B Major | 1 | 1B | 91 BPM | ||
Ayres for the Violin, books 1 & 4: Ground after the Scotch humour | Nicola Matteis, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Le carnaval du Parnasse: Air lent et gracieux | Jean-Joseph Cassanéa De Mondonville, Le Concert Spirituel, Herve Niquet | D♭ Major | 0 | 3B | 117 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM |