Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins's 'Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face")' came out on April 1, 2012. With Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face") being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 45 out of 55 in Britten on Film by Benjamin Britten, Various Artists, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face") by Benjamin Britten, Simon Russell Beale, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Martyn Brabbins is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Violin and Piano, Op. 6: IV. Lullaby: Lento tranquillo | Benjamin Britten, Matthew Jones, Annabel Thwaite | E Minor | 2 | 9A | 123 BPM | ||
War Requiem, Op. 66: vii. Dies Irae - Liber scriptus | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | E Major | 0 | 12B | 64 BPM | ||
Carmen / Act 2: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 64 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster): II. Sunday Morning (Allegro spiritoso) | Benjamin Britten, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 152 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Britten: War Requiem, Op. 66: IV. Dies irae - " Dies irae, dies illa" (Chorus) | Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Mont Juic, Op.12: I. Lament andante moderato | Benjamin Britten, Louis Frémaux, Philharmonia Orchestra | F Minor | 9 | 4A | 124 BPM |