"Sonate für Harfe: I. Mässig Schnell - Live Recital 2022" by Paul Hindemith, Antonio Ostuni had its release date on June 21, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Antonio Ostuni's "HarpALive (Live Recital 2022)" album is number 4 out of 11. In terms of popularity, Sonate für Harfe: I. Mässig Schnell - Live Recital 2022 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonate für Harfe: I. Mässig Schnell - Live Recital 2022 by Paul Hindemith, Antonio Ostuni to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Temperaments for Piano and String Orchestra: Var. 1. Melancholisch. Langsam | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | D♭ Major | 2 | 3B | 112 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Kammermusik Nr.2: Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam) | Paul Hindemith, Lars Vogt, Claudio Abbado, Berliner Philharmoniker | D♭ Minor | 1 | 12A | 97 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Viola Sonata, Op. 11, No. 5: III. Scherzo. Schnell | Paul Hindemith, Nobuko Imai | F♯ Major | 1 | 2B | 71 BPM | ||
Dutilleux: Sonatine for Flute and Piano: I. Allegretto - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 75 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |