"Concerto pour piano et orchestre: I. Vivace molto ritmico e preciso" by György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Dimitri Vassilakis was released on March 22, 2024. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in György Ligeti, Ensemble Intercontemporain, Pierre Bleuse's "Ligeti" album is number 8 out of 37. On top of that, France appears to be the country where this track was created. Based on our statistics, Concerto pour piano et orchestre: I. Vivace molto ritmico e preciso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto pour piano et orchestre: I. Vivace molto ritmico e preciso by György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Dimitri Vassilakis to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Threnody to the Victims of Hiroshima | Krzysztof Penderecki, Cracow Philharmonic Orchestra, Wojciech Czepiel | F Major | 3 | 7B | 58 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
11 Gates: No. 10, Seafloor Meditation (Whispering Mirrors at the Seafloor) | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 89 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Perduto in una citta d'acque | Salvatore Sciarrino, Florian Hoelscher | C Major | 0 | 8B | 139 BPM | ||
Études, Book 2: No. 6, Automne à Varsovie | György Ligeti, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
Ame no ki (Rain Tree): Rain Tree | Toru Takemitsu, Toronto New Music Ensemble | G Major | 0 | 9B | 130 BPM | ||
Quatuor pour la fin du temps: 1. Liturgie de cristal | Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim | G Major | 4 | 9B | 79 BPM |