"11 Gates: No. 10, Seafloor Meditation (Whispering Mirrors at the Seafloor)" by Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen was released on August 2, 2011. With 11 Gates: No. 10, Seafloor Meditation (Whispering Mirrors at the Seafloor) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anders Hillborg, Esa-Pekka Salonen, Royal Stockholm Philharmonic Orchestra's "Hillborg: Eleven Gates" album is number 13 out of 14. On top of that, Sweden appears to be the country where this track was created. 11 Gates: No. 10, Seafloor Meditation (Whispering Mirrors at the Seafloor) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 11 Gates: No. 10, Seafloor Meditation (Whispering Mirrors at the Seafloor) by Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liquid Marble | Anders Hillborg, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | B♭ Major | 4 | 6B | 104 BPM | ||
Kjempeviseslåtten, Op 22a, No. 5 | Harald Sæverud, Bergen Philharmonic Orchestra | G Minor | 0 | 6A | 117 BPM | ||
Glass: Company for String Orchestra, Movement II | Philip Glass, Gidon Kremer | D Minor | 1 | 7A | 181 BPM | ||
Bach materia (After Bach's BWV 1048): Beginning | Anders Hillborg, Pekka Kuusisto, Sebastien Dube, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 3 | 8B | 121 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
11 Gates: No. 7, Meadow of Sadsongs | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | A Minor | 0 | 8A | 66 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
Adams: Harmonielehre: III. Meister Eckhardt and Quackie | John Adams, San Francisco Symphony, Michael Tilson Thomas | C Major | 3 | 8B | 161 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson) | Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi | F Minor | 2 | 4A | 140 BPM |