"Adams: Harmonielehre: III. Meister Eckhardt and Quackie" by John Adams, San Francisco Symphony, Michael Tilson Thomas was released on 2010. Adams: Harmonielehre: III. Meister Eckhardt and Quackie appears to be safe for all ages as it is not explicit. The song is number 3 out of 4 in Adams: Harmonielehre & Short Ride in a Fast Machine by John Adams, San Francisco Symphony. The popularity of Adams: Harmonielehre: III. Meister Eckhardt and Quackie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adams: Harmonielehre: III. Meister Eckhardt and Quackie by John Adams, San Francisco Symphony, Michael Tilson Thomas is Vivace (lively and fast), since this song has a tempo of 161 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Giselle: No. 21 - Andante | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E♭ Major | 0 | 5B | 73 BPM | ||
Different Trains: III. After the War | Steve Reich, David Robertson, Orchestre National De Lyon | D♭ Major | 1 | 3B | 88 BPM | ||
Pärt: Summa for String Orchestra | Arvo Pärt, Estonian National Symphony Orchestra, Paavo Järvi | G Minor | 0 | 6A | 107 BPM | ||
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | Béla Bartók, Detroit Symphony Orchestra, Antal Doráti | B♭ Minor | 0 | 3A | 84 BPM | ||
7 Papillons: No. 5. — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
Symphony No. 1 in D Minor, "The Gothic": Part 1: I Allegro assai: section 1 | Havergal Brian, Vladimir Dolezal, Eva Jenisova, Peter Mikulas, Dagmar Peckova, Pavol Procházka, Bratislava Children's Choir, Bratislava City Chorus, Lucnica Chorus, Slovak Folk Ensemble Chorus, Slovak Opera Chorus, Slovak Philharmonic Choir, Echo Youth Choir, Slovak Philharmonic, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 3 | 6B | 58 BPM | ||
Cello Concerto No. 1 in E Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Mischa Maisky, London Symphony Orchestra, Michael Tilson Thomas | E Major | 2 | 12B | 80 BPM | ||
Pärt: Cantus in memory of Benjamin Britten | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 114 BPM |