Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim's 'Quatuor pour la fin du temps: 1. Liturgie de cristal' came out on January 1, 1979. The duration of Quatuor pour la fin du temps: 1. Liturgie de cristal is about 3 minutes long, at 3:01. Based on our data, "Quatuor pour la fin du temps: 1. Liturgie de cristal" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim's "Messiaen: Quatuor pour la fin du temps" album is number 1 out of 8. On top of that, Germany appears to be the country where this track was created. Quatuor pour la fin du temps: 1. Liturgie de cristal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du temps: 1. Liturgie de cristal by Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Soir sur la plaine | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | B Major | 1 | 1B | 134 BPM | ||
Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
6 Chansons: No. 2. J'avais un amour autrefois… (I had a love in the past) | Iannis Xenakis, Stephanos Thomopoulos | D Major | 3 | 10B | 142 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Violin Concerto: I. Prelude | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | F Minor | 2 | 4A | 152 BPM |