Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips's ' "Weaner Madln" was released on its scheduled release date, January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Schnitzel by Joseph Gungl, Joseph Lanner, Carl Michael Ziehrer, Franz Lehár, Ion Ivanovici, The Philharmonic Promenade Orchestra, Henry Krips. The song's track number on the album is #4 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Weaner Madln is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Weaner Madln by Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Weaner Madln being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dein ist mein ganzes Herz | Rudolf Schock | D♭ Major | 3 | 3B | 46 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
Maria di Rohan: Alma soave e cara | Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Panis Angelicus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Der fliegende Holländer / Act 3: 7. Szene und Chor. "Steuermann, laß die Wacht!" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Woldemar Nelsson | G Major | 3 | 9B | 86 BPM | ||
Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM |