Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken's 'Amor E Foco E Ghiaccio' came out on January 1, 2013. The duration of Amor E Foco E Ghiaccio is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Amor E Foco E Ghiaccio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 398 in the song's album "The History Of Classical Music - Part 1 - From Gregorian Chant To C.P.E. Bach". In this album, this song's track order is #18. In terms of popularity, Amor E Foco E Ghiaccio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amor E Foco E Ghiaccio by Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloriar mi poss io donne | Philippe Verdelot, Profeti Della Quinta | D♭ Minor | 1 | 12A | 101 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Courtly Masquing Ayres: No. 4 | John Adson, The Prague Brass Soloists | D Major | 1 | 10B | 93 BPM | ||
Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat "Et exultavit spiritus meus" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Reinoud Van Mechelen, Samuel Boden, Collegium Vocale Gent | B Minor | 1 | 10A | 167 BPM |