Heinrich Isaac, Piffaro, Joan Kimball, Robert Wiemken made "Music For Shawms And Sackbuts: Palle, palle" available on January 1, 2013. With Music For Shawms And Sackbuts: Palle, palle being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 398 in the song's album "The History Of Classical Music - Part 1 - From Gregorian Chant To C.P.E. Bach". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Music For Shawms And Sackbuts: Palle, palle is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Music For Shawms And Sackbuts: Palle, palle by Heinrich Isaac, Piffaro, Joan Kimball, Robert Wiemken having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Amarcord | D Minor | 1 | 7A | 75 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM | ||
Motet (Choralis Constantinus): Circumdederunt me | Heinrich Isaac, Jordi Savall | F Major | 1 | 7B | 72 BPM | ||
La Spagna | Carles Magraner, Heinrich Isaac, Capella de Ministrers | B♭ Minor | 1 | 3A | 80 BPM | ||
Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM | ||
Ruggiero (Quinta Pars IX) | Diego Ortiz, Jordi Savall | F Major | 1 | 7B | 113 BPM |