Benjamin Britten, Julian Bream made "Nocturnal After John Dowland, Op. 70: IV. Uneasy" available on June 19, 2021. With Nocturnal After John Dowland, Op. 70: IV. Uneasy being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Julian Bream's "Julian Bream Plays the Guitar" album is number 23 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Nocturnal After John Dowland, Op. 70: IV. Uneasy's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Nocturnal After John Dowland, Op. 70: IV. Uneasy by Benjamin Britten, Julian Bream to be Allegro (fast, quick, and bright) because the track has a tempo of 153 テンポ, a half-time of 76テンポ, and a double-time of 306 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
Two Aquarelles: Lento, ma non troppo | Frederick Delius, English Chamber Orchestra, Benjamin Britten | B♭ Minor | 0 | 3A | 133 BPM | ||
Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Brandenburg Concerto No.5 in D, BWV 1050: 3. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | D Major | 2 | 10B | 116 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM |