William Grant Still, Royal Philharmonic Orchestra, Karl Krueger made "Symphony No. 1 in A-Flat Major "Afro-American": III. Humor. Animato" available on January 1, 2008. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Still: Symphony No. 1 in A-Flat Major "Afro-American" - Beach: Symphony in E Minor, Op. 32 "Gaelic"". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Symphony No. 1 in A-Flat Major "Afro-American": III. Humor. Animato is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony No. 1 in A-Flat Major "Afro-American": III. Humor. Animato by William Grant Still, Royal Philharmonic Orchestra, Karl Krueger having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: 4 Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 2 | 4B | 109 BPM | ||
The Seasons, Op.67: 1. Winter | Alexander Glazunov, Orchestre de la Suisse Romande, Ernest Ansermet | D Minor | 0 | 7A | 113 BPM | ||
La mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Cleveland Orchestra, Pierre Boulez | F♯ Major | 0 | 2B | 134 BPM | ||
Ponyo's Sisters Lend a Hand - A Song for Mothers and the Sea - from 'Ponyo on the Cliff by the Sea' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 3 | 8B | 136 BPM | ||
Morning Mood | Edvard Grieg, Royal Philharmonic Orchestra, John Rigby | E Major | 0 | 12B | 80 BPM | ||
Symphony No. 1 in A-Flat Major "Afro-American": III. Humor. Animato | William Grant Still, Royal Philharmonic Orchestra, Karl Krueger | D♭ Major | 4 | 3B | 119 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 14, The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 87 BPM | ||
Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse | Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis | C Major | 2 | 8B | 77 BPM |