Wolfgang Amadeus Mozart, Susanne Mentzer/Natale de Carolis/Konzertvereinigung der Wiener Staatsopernchor/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker's 'Mozart: Don Giovanni, K. 527, Act 1 Scene 7: No. 5 Chorus, "Giovinette che fate all'amore" (Zerlina, Masetto, Chorus di contadine e contadini)' came out on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 1 Scene 7: No. 5 Chorus, "Giovinette che fate all'amore" (Zerlina, Masetto, Chorus di contadine e contadini) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 11 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mozart: Don Giovanni, K. 527, Act 1 Scene 7: No. 5 Chorus, "Giovinette che fate all'amore" (Zerlina, Masetto, Chorus di contadine e contadini)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 7: No. 5 Chorus, "Giovinette che fate all'amore" (Zerlina, Masetto, Chorus di contadine e contadini) by Wolfgang Amadeus Mozart, Susanne Mentzer/Natale de Carolis/Konzertvereinigung der Wiener Staatsopernchor/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 3: Aria - La Vendetta | Donato Di Stefano, Hungarian State Opera Orchestra, Natale de Carolis, Ingrid Kertesi, Jozsef Mukk, Roberto Frontali, Patrizia Pace, Maria Pia Ionata, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | D Major | 1 | 10B | 142 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Die Strahlen der Sonne vertreiben die Nacht" | Wolfgang Amadeus Mozart, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 60 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
The Magic Flute, K. 620, Act II: In diesen heil'gen Hallen | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | C Minor | 1 | 5A | 86 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 1: "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino, Erste Stimme, Zweite Stimme, Sprecher, Die Priester) | Wolfgang Amadeus Mozart, Siegfried Jerusalem, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | G Major | 2 | 9B | 113 BPM | ||
Madama Butterfly / Act 1: Gran ventura | Giacomo Puccini, Mirella Freni, Michel Sénéchal, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 139 BPM | ||
Die Meistersinger von Nürnberg - Act 3: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 0 | 9B | 69 BPM | ||
Fidelio, Op. 72 / Act I: "O wär ich schon mit dir vereint" | Ludwig van Beethoven, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | C Major | 1 | 8B | 134 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Catherine Pierard, Andreas Schmidt, Sir Roger Norrington, London Classical Players | B♭ Major | 0 | 6B | 77 BPM | ||
Die Walküre / Dritter Aufzug: "Hojotoho! Heiaha!" | Richard Wagner, Vera Schlosser, Berit Lindholm, Brigitte Fassbaender, Helen Watts, Helga Dernesch, Vera Little, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 143 BPM |