"Die Meistersinger von Nürnberg - Act 3: Prelude" by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1976. Since Die Meistersinger von Nürnberg - Act 3: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger Von Nurnberg by Richard Wagner, Norman Bailey, Bernd Weikl, René Kollo, Hannelore Bode, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #1 out of 42 tracks. Die Meistersinger von Nürnberg - Act 3: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg - Act 3: Prelude by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Meistersinger von Nürnberg - Act 3: Prelude being at 69 テンポ, the half-time would be 34 テンポ with a double-time of 138 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Opern-Soirée, Polka française, Op. 162 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 0 | 10B | 137 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM | ||
Götterdämmerung, WWV 86D / Prologue: "Mehr gabst du, Wunderfrau, als ich zu wahren weiss" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 71 BPM | ||
May Night: Overture | Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | G Major | 3 | 9B | 140 BPM | ||
Symphony No. 1 in C Minor, WAB 101: 1. Allegro molto moderato | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 103 BPM | ||
Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Haltet den Räuber!" | Richard Wagner, Edda Moser, Helen Donath, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 98 BPM | ||
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Komm! Komm!" | Gustav Mahler, Ruth Ziesak, Netherlands Radio Choir, Royal Concertgebouw Orchestra, Riccardo Chailly | F♯ Major | 1 | 2B | 80 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | E Major | 0 | 12B | 65 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 2 | 6B | 89 BPM |