"Paraphrase de la Dédicace" by Pierre Cochereau, Pierre Pincemaille, François Lombard, Nicole Blanchi, Vincent Recolin, Jean-Marc Cochereau, Michel Piquemal, Provence-Alpes-Cote d'Azur Regional Choir, Marseille Philharmonic Orchestra Brass Ensemble was released on September 10, 2002. Since Paraphrase de la Dédicace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 15 in Cochereau: The Written Works by Pierre Cochereau, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Paraphrase de la Dédicace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Paraphrase de la Dédicace by Pierre Cochereau, Pierre Pincemaille, François Lombard, Nicole Blanchi, Vincent Recolin, Jean-Marc Cochereau, Michel Piquemal, Provence-Alpes-Cote d'Azur Regional Choir, Marseille Philharmonic Orchestra Brass Ensemble is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Choral for Organ & Trumpet, Op. 172 No. 1 | Jean Langlais, Pierre Cochereau, Roger Delmotte | B♭ Major | 0 | 6B | 87 BPM | ||
Suite gothique, Op. 25: IV. Toccata | Léon Boëllmann, Gerard Brooks | A Minor | 1 | 8A | 110 BPM | ||
HFTEPB | KNOXVILLETRACKZ | D Minor | 0 | 7A | 120 BPM | ||
Comelico Pass | Michelle Legauffe | C Major | 3 | 8B | 64 BPM | ||
Symphony for Organ No. 5 in A Minor, Op. 47: I. Grave | Louis Vierne, Pierre Cochereau | D♭ Major | 1 | 3B | 64 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Sortie in E flat | Louis James Alfred Lefébure-Wély, William McVicker | B♭ Major | 1 | 6B | 89 BPM |