"Symphony for Organ No. 5 in A Minor, Op. 47: I. Grave" by Louis Vierne, Pierre Cochereau was released on 1975. Since Symphony for Organ No. 5 in A Minor, Op. 47: I. Grave is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vierne: Complete Organ Works (Vol. 2) by Louis Vierne, Pierre Cochereau. The song's track number on the album is #6 out of 10 tracks. Based on our data, France was the country where this track was produced or recorded. Symphony for Organ No. 5 in A Minor, Op. 47: I. Grave is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony for Organ No. 5 in A Minor, Op. 47: I. Grave by Louis Vierne, Pierre Cochereau has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Symphony for Organ No. 5 in A Minor, Op. 47: I. Grave being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Lieder ohne Worte, Op.19: No. 1 In E Major, MWV U 86 - "Sweet Remembrance" | Felix Mendelssohn, Daniel Barenboim | B Major | 0 | 1B | 89 BPM | ||
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
24 pièces en style libre, Livre 1, Op. 31: No. 11, Divertissement | Louis Vierne, Georges Bessonnet | D Major | 0 | 10B | 91 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM |