"L'Arlésienne Suite No. 2, WD 28: 1. Pastorale" by Georges Bizet, Orchestre de Paris, Semyon Bychkov was released on August 4, 1994. L'Arlésienne Suite No. 2, WD 28: 1. Pastorale is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 5 out of 18 in Bizet: Carmen Suites; L'Arlésienne Suites by Georges Bizet, Semyon Bychkov, Orchestre de Paris. In terms of popularity, L'Arlésienne Suite No. 2, WD 28: 1. Pastorale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 2, WD 28: 1. Pastorale by Georges Bizet, Orchestre de Paris, Semyon Bychkov is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Carmen, Act I, No.9 Chanson et Mèlodrame: Mon officier c'était une querelle Tra la, la, la, coupe-moi (Don José/Zuniga/Carmen/Cigarières) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 83 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Carmen, WD 31, Act IV: A deux cuartos (Street Sellers) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F♯ Major | 2 | 2B | 117 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Carmen (Sung in Italian): Act III: Qui dei contrabbandier (Micaela) | Georges Bizet, Giulietta Simionato, Gabriella Tucci, Mario del Monaco, Scipio Colombo, Santa Chissari, Anna Di Stasio, Arturo La Porta, Mariano Caruso, Paolo Montarsolo, Gabriele De Julis, Tokyo Broadcasting Chorus, Nikkai Chorus Group, Fujiwara Opera Chorus, NHK Symphony Orchestra, Nino Verchi | D Major | 1 | 10B | 0 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM |