Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan made "Unter Donner und Blitz, Polka, Op.324" available on January 1, 1998. The duration of Unter Donner und Blitz, Polka, Op.324 is about 3 minutes long, at 3:23. Based on our data, "Unter Donner und Blitz, Polka, Op.324" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II, Wiener Philharmoniker, Johann Strauss I, Josef Strauss's "J. Strauss: Best of Waltzes & Polkas" album is number 2 out of 24. Based on our statistics, Unter Donner und Blitz, Polka, Op.324's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Unter Donner und Blitz, Polka, Op.324 by Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan to be Vivace (lively and fast) because the track has a tempo of 159 テンポ, a half-time of 80テンポ, and a double-time of 318 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Puccini: Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless) | Giacomo Puccini, Lucia Danieli/Nicolai Gedda/Mario Borriello/Renato Ercolani/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan, Herbert von Karajan, Lucie Danieli, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | C Major | 2 | 8B | 105 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
España, Walzer, Op. 236 | Émile Waldteufel, Mariss Jansons, Wiener Philharmoniker | F Major | 4 | 7B | 115 BPM | ||
Madama Butterfly / Act 1: Vogliatemi bene | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 92 BPM | ||
Fächer - polonaise Op. 525 - Arr. Max Schoenherr | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | D Major | 3 | 10B | 93 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Zurückhalten | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 132 BPM | ||
Carmen, Act III: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 113 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Hungarian Dance No.7 In F | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 81 BPM |