"Madama Butterfly / Act 1: Vogliatemi bene" by Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1974. Since Madama Butterfly / Act 1: Vogliatemi bene is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #16. In terms of popularity, Madama Butterfly / Act 1: Vogliatemi bene is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 1: Vogliatemi bene by Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Les Pecheurs des Perles / Act 1: "Au fond du temple saint" | Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | E♭ Major | 2 | 5B | 78 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
Luisa Miller / Act 2: Quando le sere al placido chiaror d'un ciel stellato | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Peter Maag | A♭ Major | 2 | 4B | 93 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Una nave da guerra | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 2 | 12B | 91 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Che vuol da me? (Butterfly/Suzuki/Sharpless/Kate) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Silvana Padoan, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 1 | 2B | 81 BPM |