"Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto)" by Johann Sebastian Bach, Sunhae Im, Marianne Beate Kielland, Ann Hallenberg, Markus Schäfer, Hanno Müller-Brachmann, Dresden Chamber Choir, Cologne Chamber Orchestra, Helmut Muller-Bruhl was released on March 1, 2005. Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto) is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 14 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Helmut Muller-Bruhl. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto) by Johann Sebastian Bach, Sunhae Im, Marianne Beate Kielland, Ann Hallenberg, Markus Schäfer, Hanno Müller-Brachmann, Dresden Chamber Choir, Cologne Chamber Orchestra, Helmut Muller-Bruhl is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
Agnus Dei, Adagio Op. 11 | Samuel Barber, Accentus, Laurence Equilbey | B♭ Minor | 1 | 3A | 74 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Choir of St. John's College, Cambridge, Andrew Nethsingha, Graham Walker, Timothy Ravalde | F Major | 1 | 7B | 80 BPM | ||
Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Nabucco / Act 3: "Va, pensiero" (Chorus of the Hebrew Slaves) | Giuseppe Verdi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | D♭ Major | 1 | 3B | 77 BPM | ||
Nabucco / Act 3: "Va, pensiero, sull'ali dorate" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | D♭ Major | 1 | 3B | 77 BPM |