Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max made "St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto)" available on January 1, 1996. St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 4 out of 68 in Bach, J.S.: St. Matthew Passion by Johann Sebastian Bach, Hermann Max. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) by Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max is Moderato (at a moderate speed), since this song has a tempo of 111 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gesu al Calvario, ZWV 62: Coro di Giudei: Si crocifigga il Nazareno (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F♯ Minor | 3 | 11A | 118 BPM | ||
Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | A Major | 2 | 11B | 140 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Der Himmel lacht, die Erde jubilieret, BWV 31: Aria: Adam muss in uns verwesen (Tenor) | Johann Sebastian Bach, Monika Frimmer, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | D Major | 1 | 10B | 108 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM | ||
Der Himmel lacht, die Erde jubilieret, BWV 31: Recitative: Erwunschter Tag! sei, Seele (Bass) | Johann Sebastian Bach, Monika Frimmer, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | D Major | 1 | 10B | 108 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria: Ich folge Christo nach (Bass) | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 2 | 2B | 186 BPM |