"Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra was released on October 1, 1990. The duration of Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 19 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
A csitári hegyek alatt (Fiatal legény, Fiatal leány) | Zoltán Kodály, Magyar Állami Operaház Zenekara, Balázs Kocsár, Adorján Pataki, Andrea Rost | D Major | 1 | 10B | 64 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Tonkünstler-Orchester, Yutaka Sado | B♭ Major | 1 | 6B | 92 BPM | ||
Gloria, FP 144: 1. Gloria | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 3 | 8B | 109 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Oboe Sonata, FP 185: Deploration: Tres calme | Francis Poulenc, Olivier Doise, Alexandre Tharaud | D Minor | 2 | 7A | 66 BPM | ||
Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | ||
String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante, ma moderato | Johannes Brahms, WDR Symphony Orchestra Cologne Chamber Players | D Major | 1 | 10B | 90 BPM |