Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra's 'Wagner: Lohengrin, Act III: Prelude' came out on January 1, 1992. The duration of Wagner: Lohengrin, Act III: Prelude is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Wagner: Lohengrin, Act III: Prelude's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Overtures & Orchestral Music by Richard Wagner, Oslo Philharmonic Orchestra, Mariss Jansons. The song's track number on the album is #7 out of 9 tracks. Wagner: Lohengrin, Act III: Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Lohengrin, Act III: Prelude by Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Lohengrin, Act III: Prelude being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold, WWV 86A / Scene 2: "Fasolt und Fafner nahen von fern" | Richard Wagner, Set Svanholm, Eberhard Wächter, Waldemar Kmentt, Kirsten Flagstad, Walter Kreppel, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 101 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 64 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): Overture | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper München | E♭ Major | 1 | 5B | 80 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Wolfgang Amadeus Mozart, Bernard Haitink, Claudio Desderi, London Philharmonic Orchestra | E Major | 3 | 12B | 125 BPM |