"Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): Overture" by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper München had its release date on 1973. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Wolfgang Sawallisch's "Mozart: The Magic Flute" album is number 1 out of 44. Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster): Overture by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch, Orchester der Bayerischen Staatsoper München to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
String Quartet No. 4 in C Major, K. 157: III. Presto | Eder Quartet | C Major | 2 | 8B | 81 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
La damnation de Faust, Op. 24, H 111, Scene 3b: Hungarian March | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 89 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich? | Wolfgang Amadeus Mozart, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 144 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM |