Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger's 'Ouverture No. 2 in F Major (c 1715): VI. Menuett' came out on March 19, 2021. With Ouverture No. 2 in F Major (c 1715): VI. Menuett being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 18 in Francesco Maria Veracini: Music at the Düsseldorf Court by Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Ouverture No. 2 in F Major (c 1715): VI. Menuett is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ouverture No. 2 in F Major (c 1715): VI. Menuett by Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque stromenti in A Major (c 1730): III. Allegro | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | A Major | 8 | 11B | 102 BPM | ||
Concerto in D Major, Op. 6 No. 6: II. Con furia | Charles Avison, Café Zimmermann | D♭ Major | 4 | 3B | 141 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: III. Bourrée | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 2 | 10A | 116 BPM | ||
Oboe d'amore Concerto in D Major: I. Grave | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 80 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Ouverture No. 6 in G Minor: I: Allegro | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | C Minor | 1 | 5A | 126 BPM | ||
Sammartini: Recorder Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata prima: i. largo e nobile | Francesco Maria Veracini, Muriel Rochat Rienth, Thor Jorgen, Andrés Alberto Gómez | E♭ Minor | 1 | 2A | 70 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM |