Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery's 'Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2)' came out on November 5, 2010. Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. In terms of popularity, Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) by Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Carlo / Act 2: Preludio | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 100 BPM | ||
May Night: Overture | Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | G Major | 3 | 9B | 140 BPM | ||
Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM | ||
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
Le Cid / Act 2: Aragonaise | Jules Massenet, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 78 BPM | ||
Act III: Variation I. Prince Desire | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F Major | 3 | 7B | 96 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Scene | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 114 BPM | ||
Grande Polonaise (Onegin Ballet Suite No 23) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | E Major | 3 | 12B | 203 BPM |