Marc-Antoine Charpentier, Edwin Crossley-Mercer, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve made "David et Jonathas, H. 490, Acte V Scène 6: Du plus grand des héros, chantons la gloire (Achis, chœur)" available on March 22, 2024. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 31 out of 57 in Charpentier: David et Jonathas, H. 490 by Marc-Antoine Charpentier, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Jean-François Novelli, Clément Debieuvre, David Witczak, Natacha Boucher, Edwin Crossley-Mercer, Jean-Francois Lombard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, David et Jonathas, H. 490, Acte V Scène 6: Du plus grand des héros, chantons la gloire (Achis, chœur) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of David et Jonathas, H. 490, Acte V Scène 6: Du plus grand des héros, chantons la gloire (Achis, chœur) by Marc-Antoine Charpentier, Edwin Crossley-Mercer, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Votiva, ZWV 18: Kyrie I. | Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 2 | 2A | 116 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Chaconne de l'amour Médecin, LWV 29 (1665) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 1 | 7B | 90 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VI. Credo | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie, Gilles Ragon, Noemi Rime, Bernard Deletré, Jean-Paul Fouchécourt | A♭ Major | 1 | 4B | 82 BPM |