"Saint Francois D'Assise / Deuxième Acte: Une louange! un point d'exclamation! (Saint Francois, Frère Massée)" by Olivier Messiaen, José van Dam, John Aler, Hallé, Kent Nagano was released on January 1, 1999. Since Saint Francois D'Assise / Deuxième Acte: Une louange! un point d'exclamation! (Saint Francois, Frère Massée) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Hallé, Kent Nagano's "Messiaen: Saint Francois D'Assise" album is number 3 out of 61. Saint Francois D'Assise / Deuxième Acte: Une louange! un point d'exclamation! (Saint Francois, Frère Massée) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saint Francois D'Assise / Deuxième Acte: Une louange! un point d'exclamation! (Saint Francois, Frère Massée) by Olivier Messiaen, José van Dam, John Aler, Hallé, Kent Nagano to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klavierstück in E Major | Anton Webern, Jean-Jacques Dünki | E Major | 1 | 12B | 63 BPM | ||
Le marteau sans maître: Avant "l'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
L'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse génerale | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM | ||
Tout un monde lointain…: V. Hymne | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Lamentate: Fragile e conciliante | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 62 BPM | ||
Préludes / Book 1, L. 117: I. Danseuses de Delphes | Claude Debussy, Arturo Benedetti Michelangeli | E Minor | 0 | 9A | 63 BPM | ||
Wozzeck / Act III: Scene V: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz" | Alban Berg, Viktoria Lehner, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 140 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM |