Pierre Boulez, Hilary Summers, Ensemble Intercontemporain's 'Le marteau sans maître: Avant "l'Artisanat furieux"' came out on December 15, 2004. With Le marteau sans maître: Avant "l'Artisanat furieux" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 11 in Boulez: Le Marteau sans maitre; Derive 1 & 2 by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Le marteau sans maître: Avant "l'Artisanat furieux" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le marteau sans maître: Avant "l'Artisanat furieux" by Pierre Boulez, Hilary Summers, Ensemble Intercontemporain is Vivace (lively and fast), since this song has a tempo of 173 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dialogue de l'ombre double (1985): Transition II à III | Pierre Boulez, Alain Damiens, Andrew Gerzso | E Minor | 0 | 9A | 72 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Première rhapsodie, L. 116: Rêveusement lent | Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
Romance | Toru Takemitsu, Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
Printemps, L. 61: I. Très modéré | Claude Debussy, Pierre Boulez, New Philharmonia Orchestra | G Major | 0 | 9B | 137 BPM | ||
Symphony No. 3 in D Minor / Pt. 2: II. Tempo di minuetto. Sehr mäßig | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D Major | 0 | 10B | 81 BPM |