"Dialogue de l'ombre double (1985): Transition II à III" by Pierre Boulez, Alain Damiens, Andrew Gerzso was released on January 1, 1998. With Dialogue de l'ombre double (1985): Transition II à III being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 23 in Boulez: Répons; Dialogue de l'ombre double by Pierre Boulez, Alain Damiens, Ensemble Intercontemporain. Dialogue de l'ombre double (1985): Transition II à III is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dialogue de l'ombre double (1985): Transition II à III by Pierre Boulez, Alain Damiens, Andrew Gerzso is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
L'Oiseau de feu, K010: III. Apparition de l’oiseau de feu, poursuivi par Ivan Tsarevitch | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): IV. Marcia funebre: Maestoso | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Water Music: Suite No. 3 in G Major, HWV 350, I. [Sarabande] | George Frideric Handel, Pierre Boulez, New York Philharmonic | G Major | 1 | 9B | 87 BPM | ||
Essay For Orchestra No. 1, Op. 12 | Samuel Barber, St. Louis Symphony, Leonard Slatkin | E Major | 2 | 12B | 179 BPM | ||
Serenade for Strings in E, Op.22: 1. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 86 BPM | ||
2 Songs Op. 8 For Voice And Eight Instruments: I. "Du, der ich's nicht sage" Langsam | Anton Webern, Françoise Pollet, Ensemble Intercontemporain, Pierre Boulez | D♭ Major | 0 | 3B | 115 BPM | ||
Symphony No. 8 in E Flat Major - "Symphony of a Thousand" / Part 1: Hymnus "Veni creator spiritus": "Veni, Creator...Da gaudiorum praemia" | Gustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin, Aurelius Sangerknaben Calw | A♭ Major | 2 | 4B | 167 BPM |